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William Shakespeare

William Shakespeare (1564-1616) was great world-poet and dramatist, born in Stratford-on-Avon, in Warwickshire. His father was John Shakespeare, a respected burgess, and his mother, Mary Arden, the daughter of a well-to-do farmer, through whom the family acquired some property. Shakespeare was at school at Stratford, married Anne Hathaway, a yeoman's daughter, at 18, she eight years older, and had by her three daughters.

He left for London somewhere between 1585 and 1587, in consequence, it is said, of some deer-stealing frolic. He took charge of horses at the theatre door, and by-and-by became an actor. His first work, "Venus and Adonis," appeared in 1593, and "Lucrece" the year after. Became connected with different theatres, and a shareholder in certain of them, in some of which he took part as actor, with the result, in a pecuniary point of view, that he bought a house in his native place, extended it afterwards, where he chiefly resided for the ten years preceding his death. Not much more than this is known of the poet's external history, and what there is contributes nothing towards accounting for either him or the genius revealed in his dramas.

Of the man, says Carlyle, "the best judgment not of this country, but of Europe at large, is slowly pointing to the conclusion that he is the chief of all poets hitherto - the greatest intellect, in our recorded world, that has left record of himself in the way of literature. On the whole, I know not such a power of vision, such a faculty of thought, if we take all the characters of it, in any other man - such a calmness of depth, placid, joyous strength, all things in that great soul of his so true and clear, as in a tranquil, unfathomable sea.... It is not a transitory glance of insight that will suffice; it is a deliberate illumination of the whole matter; it is a calmly seeing eye - a great intellect, in short.... It is in delineating of men and things, especially of men, that Shakespeare is great.... The thing he looks at reveals not this or that face, but its inmost heart, its generic secret; it dissolves itself as in light before him, so that he discerns the perfect structure of it.... It is a perfectly level mirror we have here; no twisted, poor convex-concave mirror reflecting all objects with its own convexities and concavities, that is to say, withal a man justly related to all things and men, a good man.... And his intellect is an unconscious intellect; there is more virtue in it than he himself is aware of.... His art is not artifice; the noblest worth of it is not there by plan or pre-contrivance. It grows up from the deeps of Nature, through this noble sincere soul, who is a voice of Nature.... It is Nature's highest reward to a true, simple, great soul that he got thus to be part of herself."

Of his works nothing can or need be said here. Enough to add, as Carlyle further says, "His works are so many windows through which we see a glimpse of the world that was in him.... Alas! Shakespeare had to write for the Globe Playhouse; his great soul had to crush itself, as it could, into that and no other mould. It was with him, then, as it is with us all. No man works save under conditions. The sculptor cannot set his own free thought before us, but his thought as he could translate into the stone that was given, with the tools that were given. Disjecta membra are all that we find of any poet, or of any man."

Shakespeare's plays, with the order of their publication, are as follows: "Love's Labour's Lost," 1590; "Comedy of Errors," 1591; 1, 2, 3 "Henry VI.," 1590-1592; "Two Gentlemen of Verona," 1592-1593; "Midsummer-Night's Dream," 1593-1594; "Richard III.," 1593; "Romeo and Juliet," 1591-1596 (?); "Richard II.," 1594; "King John," 1595; "Merchant of Venice," 1596; 1 and 2 "Henry IV.," 1597-1598; "Henry V.," 1599; "Taming of the Shrew," 1597 (?); "Merry Wives of Windsor," 1598; "Much Ado about Nothing," 1598; "As You Like It," 1599; "Twelfth Night," 1600-1601; "Julius Cæsar," 1601; "All's Well," 1601-1602 (?); "Hamlet," 1602, "Measure for Measure," 1603; "Troilus and Cressida," 1603-1607 (?); "Othello," 1604; "Lear," 1605; "Macbeth," 1606; "Antony and Cleopatra," 1607; "Coriolanus," 1608; "Timon," 1608; "Pericles," 1608; "Cymbeline," 1609; "Tempest," 1610; "Winter's Tale," 1610-1611; "Henry VIII.," 1612-1613.

Wisdom & Quotes

  • All that live must die,
Passing through nature to eternity.
- Hamlet, I, ii
  • O! that this too too solid flesh would melt,
Thaw and resolve itself into a dew.
Hamlet, I, ii
  • Frailty thy name is woman!
- Hamlet, I, ii
  • He was a man, take him for all in all.
I shall not look upon his like again.
- Hamlet, I, ii
  • The apparel oft proclaims the man.
- Hamlet, I, iii
  • Neither a borrower nor a lender be.
- Hamlet, I, iii
  • Those friends thou hast, and their adoption tried,
Grapple them to thy soul with hoops of steel.
- Hamlet, I, iii
  • This above all: To thine own self be true,
And it must follow, as the night the day,
Thou canst not then be false to any man.
- Hamlet, I, iii
  • It is a custom
More honoured in the breach than the observance.
Hamlet, I, iv
  • Angels and ministers of grace defend us.
- Hamlet, I, iv
  • There are more things in heaven and earth, Horatio,
Than are dreamt of in your philosophy.
- Hamlet, I, v
  • The time is out of joint; O cursed spite,
That ever I was born to set it right!
- Hamlet, I, v
  • Brevity is the soul of wit.
- Hamlet, II, ii
  • What a piece of work is a man! How noble is reason! How infinite in faculty! In form, in moving, how express and admirable! In action how like an angel! In apprehension how like a god! The beauty of the world! The paragon of animals!
- Hamlet, II, ii
  • Man delights not me; nor woman either.
- Hamlet, II, ii
  • The play's the thing
Wherein I'll catch the conscience of the king.
- Hamlet, II, ii
  • O! what a rogue and peasant slave am I.
- Hamlet, II, ii
  • There is nothing either good or bad but thinking makes it so.
- Hamlet, II, ii
  • With devotion's usage
And pious action we do sugar o'er
The Devil himself.
- Hamlet, III, i
  • Madness in great ones must not unwatched go.
- Hamlet, III, i
  • To be, or not to be - that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them.
- Hamlet, III, i
  • Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue.
- Hamlet, III, ii
  • Suit the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of the nature.
- Hamlet
  • Hold as 'twere the mirror up to nature.
- Hamlet, III, ii
  • There's hope a great man's memory may outlive his life half a year.
- Hamlet, III, ii
  • The lady doth protest too much, methinks.
- Hamlet, III, ii
  • 'Tis now the very witching time of night,
When churchyards yawn and hell itself breathes out
Contagion to this world.
- Hamlet, III, ii
  • My words fly up; my thoughts remain below.
Words without thoughts never to heaven go.
- Hamlet, III, iii
  • Assume a virtue, if you have it not.
- Hamlet, III, iv
  • Diseases desperate grown
By desperate appliance are relieved,
Or not at all.
- Hamlet, IV, iii
  • There's rosemary, that's for remembrance - pray you love,
remember. And there is pansies, that's for thoughts.
- Hamlet, IV, v
  • When sorrows come, they come not single spies,
But in battalions!
- Hamlet, IV, v
  • We know what we are, but know not what we may be.
- Hamlet, IV, v
  • One woe doth tread upon another's heel,
So fast they follow.
- Hamlet, IV, vii
  • Murder most foul, as in the best it is,
But this most foul, strange, and unnatural.
- Hamlet, V, i
  • A politician - one that would circumvent God.
- Hamlet, V, i
  • Alas! Poor Yorick, I knew him, Horatio.
- Hamlet, V, i
  • Good night, sweet prince,
And flights of angels sing thee to thy rest.
- Hamlet, V, ii
  • A hit, a very palpable hit.
- Hamlet, V, ii
  • A sad tale's best for winter.
- The Winter's Tale
  • It's a bawdy planet.
- The Winter's Tale, I, ii
  • The silence often of pure innocence
Persuades when speaking fails.
- The Winter's Tale, II, ii
  • What's gone and what's past help
Should be past grief.
- The Winter's Tale, III, ii
  • Exit, pursued by a bear.
- The Winter's Tale, stage direction, III, iii
  • For you there's rosemary and rue, these keep
Seeming and savor all the winter long.
- The Winter's Tale, IV, iii
  • Sweet are the uses of adversity.
- As You Like It, II, i
  • When I was at home, I was in a better place.
- As You Like it, II, iv
  • All the world's a stage,
And all the men and women merely players.
- As You Like It, vii
  • O wonderful, wonderful, and most wonderful! And yet again
wonderful, and after that, out of all whooping!
- As You Like It, III, ii
  • Men have died from time to time and worms have eaten them,
But not for love.
- As You Like It, IV, i
  • Can one desire too much of a good thing?
- As You Like It, IV, i
  • An ill-favoured thing, sir, but mine own.
- As You Like it, V, iv
  • But, soft! What light through yonder window breaks?
It is the east, and Juliet is the sun.
- Romeo and Juliet, II, ii
  • What's in a name? That which we call a rose
By any other name would smell as sweet.
- Romeo and Juliet, II, ii
  • O Romeo, Romeo, wherefore art thou Romeo?
Deny thy father and refuse thy name,
Or, If thou wilt not, be but sworn my love
And I'll no longer be a Capulet.
- Romeo and Juliet, II, ii
  • Goodnight! Goodnight!
Parting is such sweet sorrow
That I shall say goodnight till it be morrow.
- Romeo and Juliet, II, ii
  • See how she leans her cheek upon her hand!
Oh, that I were a glove upon that hand,
That I might touch that cheek!
- Romeo and Juliet, II, ii
  • Wisely and slowly; they stumble that run fast.
- Romeo and Juliet, II, iii
  • These violent delights have violent ends.
- Romeo and Juliet, II, vi
  • O! I am Fortune's fool.
- Romeo and Juliet, III, i
  • When he shall die,
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night.
- Romeo and Juliet, III, ii
  • Adversity's sweet milk, philosophy.
- Romeo and Juliet, III, iii
  • How oft when men are at the point of death
Have they been merry!
- Romeo and Juliet, V, iii
  • Tempt not a desperate man.
- Romeo and Juliet, V, iii
  • Crabbed age and youth cannot live together:
Youth is full of pleasance, age is full of care.
- Passionate Pilgrim
  • Age cannot wither her, nor custom stale
Her infinite variety; other women cloy
The appetites they feed.
- Antony and Cleopatra, II, ii
  • You blocks, you stones, you worse than senseless things!
- Julius Caesar, I, i
  • Why, man, he doth bestride the narrow world like a Colossus.
- Julius Caesar, I, ii
  • The fault, dear Brutus, is not in our stars,
But in ourselves, that are we underlings.
Julius Caesar, I, ii
  • Yond Cassius has a lean and hungry look;
He thinks too much: such men are dangerous.
- Julius Caesar
  • Beware the ides of March.
- Julius Caesar, I, ii
  • But when I tell him he hates flatterers,
He says he does, being then most flattered.
Julius Caesar, II, i
  • For he will never follow anything
That other men begin.
- Julius Caesar, II, i
  • Cowards die many times before their deaths;
The valiant never taste of death but once.
- Julius Caesar, II, ii
  • Cry 'Havoc!' and let slip the dogs of war.
- Julius Caesar, III, i
  • Et tu, Brute!
- Julius Caesar, III, i
  • This was the most unkindest cut of all.
- Julius Caesar, III, i
  • The evil that men do lives after them,
The good is oft interred with their bones.
- Julius Caesar, III, ii
  • Ambition should be made of sterner stuff.
- Julius Caesar, III, ii
  • Friends, Roman, countrymen, lend me your ears;
I come to bury Caesar, not to praise him.
- Julius Caesar, III, ii
  • There is a tide in the affairs of men
Which, taken at the flood, leads on to fortune;
Omitted, all the voyage of their life
Is bound in shallows and in miseries.
- Julius Caesar, IV, iii
  • His life was gentle, and the elements
So mixed in him that Nature might stand up
And say to all the world, 'This was a man.'
- Julius Caesar, V, v
  • This was the noblest Roman of them all.
- Julius Caesar, V, v
  • We cannot all be masters.
- Othello, I, i
  • The robbed that smiles steals something from the thief.
- Othello, I, iii
  • It is silliness to live when to live is torment.
- Othello, I, iii
  • She never yet was foolish that was fair.
- Othello, II, i
  • But men are men, the best sometimes forget.
- Othello, II, iii
  • Men should be what they seem.
- Othello, III, iii
  • Item: I give unto my wife my second best bed.
- his will
  • Take note, take note, O World!
To be direct and honest is not safe.
- Othello, III, iii
  • O! beware, my lord, of jealousy,
It is the green-eyed monster which doth mock the meat it feeds on.
- Othello, III, iii
  • Speak of me as I am… one that loved not wisely but
too well.
- Othello, V, ii
  • If music be the food of love, play on.
- Twelfth Night, I, i
  • I am a great eater of beef and I believe that does harm to my wit.
- Twelfth Night, I, iii
  • Is there no respect of place, persons, nor time, in you?
- Twelfth Night, II, iii
  • Be not afraid of greatness. Some are born great, some achieve greatness, and some have greatness thrust upon them.
- Twelfth Night, II, v
  • Why, this is very midsummer madness.
- Twelfth Night, III, iv
  • Men shut their doors against a setting sun.
- Timon of Athens, I, ii
  • Every man has his fault, and honesty is his.
- Timon of Athens, III, i
  • We have seen better days.
- Timon of Athens, IV, ii
  • Come what come may,
Time and the hour runs through the roughest day.
- Macbeth, I, iii
  • Nothing in his life
Became him like the leaving it.
- Macbeth, I, iv
  • But screw your courage to the sticking place
And we'll not fall.
- Macbeth, I, vii
  • If it were done when ‘tis done, then ‘twere well
It were done quickly.
- Macbeth, I, vii
  • Is this a dagger which I see before me,
The handle toward my hand? Come let me clutch thee.
- Macbeth, II, i
  • Art thou but
A dagger of the mind, a false creation
Proceeding from the heat-oppressed brain?
- Macbeth
  • Methought, I heard a voice cry 'Sleep no more!
Macbeth does murder sleep' - the innocent sleep,
Sleep that knits up the ravelled sleeve of care,
The death of each day's life, sore labour's bath,
Balm of hurt minds, great nature's second course,
Chief nourisher in life's feast.
- Macbeth, II, ii
  • What is done is done.
- Macbeth, III, ii
  • So foul and fair a day I have not seen.
- Macbeth, III, iii
  • Macbeth shall never vanquished be until
Great Birnam Wood to High Dunsinane Hill
Shall come against him.
- Macbeth, IV, i
  • He wants the natural touch.
- Macbeth, IV, ii
  • Yet who would have thought the old man to have had so much blood in him?
- Macbeth, V, i
  • Out, damned spot! Out, I say! One, two, why, then ‘tis time to do't. Hell is murky!
(Lady Macbeth also appears under guilt)
- Macbeth, V, i
  • Here's the smell of the blood still. All the perfumes of Arabia will not sweeten this little hand.
- Macbeth
  • It is an accustomed action with her to seem thus washing her hands. I have known her continue in this a quarter of an hour.
- Macbeth, V, i
  • Macbeth: Canst thou not minister to a mind diseased,
Pluck from memory a rooted sorrow,
Raze out the written troubles of the brain?
...
Doctor: Therein the patient
Must minister to himself.
- Macbeth, V, iii
  • Life's but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more. It is a tale
Told by and idiot, full of sound and fury,
Signifying nothing.
- Macbeth, V, v
  • Tomorrow, and tomorrow, and tomorrow,
Creeps in this petty pace from day to day,
To the last syllable of recorded time.
- Macbeth, V, v
  • I bear a charmed life.
- Macbeth, V, viii
  • Lay on, Macduff,
And damn'd be him that first cries 'Hold, enough!'
- Macbeth, V, viii
  • Misery acquaints a man with strange bedfellows.
- The Tempest, II, ii
  • How beauteous mankind is! O brave new world,
That has such people in it.
- The Tempest, IV, i
  • We are such stuff
As dreams are made on, and our little life
Is rounded with a sleep.
- The Tempest, IV, i
  • O! for a Muse of fire, that would ascend
The brightest heaven of invention!
- Henry V, Prologue to the Play
  • Once more into the breach, dear friend, once more,
Or close the wall up with our English dead!
- Henry V, III, i
  • And what have kings that privates have not too,
Save ceremony, save general ceremony.
- Henry V, IV, i
  • We few, we happy few, we band of brothers.
- Henry V, IV, iii
  • Nice customs courtesy to great kings.
- Henry V, V, ii
  • O war, thou son of hell!
- Henry VI, Part II, V, ii
  • I would not be a queen
For all the world.
- Henry VIII, II, iii
  • What is the city but the people?
- Coriolanus, III, i
  • My nature is subdued
To what it works in, like the dyer's hand.
- Sonnet III
  • Shall I compare thee to a summer's day?
Thou art more lovely and more temperate.
- Sonnet 18
  • Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date.
- Sonnet 18
  • The summer's flower is to the summer sweet,
Though to itself it only live and die.
- Sonnet 94
  • To me, fair friend, you never can be old.
- Sonnet 104
  • Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove.
Oh no! It is an ever-fixed mark
That looks on tempests and is never shaken.
It is the star to every wandering bark,
Whose worth's unknown, although his height be taken.
- Sonnet 116
  • Speak low, if you speak love.
- Much Ado About Nothing, II, i
  • Sigh no more, ladies, sigh no more,
Men were deceivers ever;
One foot in sea, and one on shore,
To one thing constant never.
-Much Ado About Nothing, II, iii
  • Comparisons are odorous.
- Much Ado About Nothing, III, v
  • There never was yet philosopher
That could endure the toothache patiently.
- Much Ado About Nothing, V, i
  • I know a trick worth two of that.
- Henry IV, Part I, II, i
  • I have more flesh than another man, and therefore more frailty.
- Henry IV, Part I, III, iii
  • The better part of valour is discretion.
- Henry IV, Part I, V, iv
  • Past, and to come, seems best; things present, worst.
- Henry IV, Part II, I, iii
  • He hath eaten me out of house and home.
- Henry IV, Part II, II, i
  • Is it not strange that desire should so many years outlive performance.
- Henry IV, Part II, II, iv
  • Uneasy lies the head that wears a crown.
- Henry IV, Part II, III, i
  • The first thing we do, let's kill all the lawyers.
- Henry IV, Part II, III, i
  • A man can die but once. We owe God a death.
- Henry IV, Part II, III, ii
  • A peace is of the nature of a conquest;
For then both parties nobly are subdued,
And neither party loser.
- Henry IV, Part II, IV, ii
  • Commit
The oldest sins the newest kind of ways.
- Henry IV, Part II, IV, v
  • Thy wish was father, Harry, to that thought.
- Henry IV, Part II, IV, v
  • The game's afoot.
Follow your spirit, and upon this charge
Cry 'God for Harry, England, and Saint George!'
- Henry V, III, i
  • Once more into the breach, dear friends, once more,
Or close the wall up with our English dead!
- Henry V, III, i
  • Delays have dangerous ends.
- Henry VI, Part I, III, ii
  • Nothing will come of nothing.
- King Lear, I, i
  • I am a man
More sinned against than sinning.
- King Lear, III, ii
  • The prince of darkness is a gentleman.
- King Lear, III, iv
  • As flies to wanton boys are we to the gods
They kill us for their sport.
- King Lear, IV, i
  • The worst is not
So long as we can say, 'This is the worst.'
- King Lear, IV, i
  • When we are born, we cry that we are come
To this great stage of fools.
- King Lear, IV, vi
  • Men must endure
Their going hence even as their coming hither.
- King Lear, V, ii
  • Her voice was ever soft,
Gentle and low, an excellent thing in woman.
- King Lear, V, iii
  • The devil can cite Scripture for his purpose.
- The Merchant of Venice, I, iii
  • But love is blind, and lovers cannot see
The pretty follies that themselves commit.
- The Merchant of Venice, II, vi
  • All that glitters is not gold.
- The Merchant of Venice, II, vii
  • The ancient saying is no heresy,
Hanging and wiving goes by destiny.
- The Merchant of Venice, II, ix
  • Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions? Fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer as a Christian is? If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge?
- The Merchant of Venice, III, i
  • A light wife doth make a heavy husband.
- The Merchant of Venice, V, i
  • How far that little candle throws his beams!
So shines a good deed in a naughty world.
- The Merchant of Venice, V, i
  • I am never merry when I hear sweet music.
- The Merchant of Venice, V, i
  • The quality of mercy is not strained,
It droppeth as the gentle rain from heaven.
- The Merchant of Venice, IV, i
  • He is well paid that is well satisfied.
- The Merchant of Venice, IV, i
  • Modest doubt is called
The beacon of the wise.
- Troilus and Cressida, II, ii
  • One touch of nature makes the whole world kin.
- Troilus and Cressida, III, iii
  • Words pay no debts.
- Troilus and Cressida, III, ii
  • Lechery, lechery; still wars and lechery; nothing else
Holds fashion.
- Troilus and Cressida, V, ii
  • Life is as tedious as a twice-told tale
Vexing the dull ear of a drowsy man.
- King John, III, iv
  • And often times excusing of a fault
Doth make the fault the worse by the excuse.
- King John, IV, ii
  • This England never did, nor never shall,
Lie at the proud foot of a conqueror.
- King John, V, vii
  • Mine honour is my life.
- Richard II, I, i
  • This royal throne of kings, this sceptered isle,
...
This happy breed of men, this little world
This precious stone set in the silver sea,
...
This blessed plot, this earth, this realm, this England.
- Richard II, II, i
  • For God's sake, let us sit upon the ground
And tell sad stories of the death of kings.
- Richard II, III, ii
  • Oh, call back yesterday, bid time return.
- Richard II, III, ii
  • Mount, mount my soul! Thy seat is up on high,
Whilst my gross flesh sinks downward, here to die.
- King Richard II, V, v
  • I wasted time, and now doth time waste me.
- Richard II, V, v
  • Now is the winter of our discontent
Made glorious summer by this sun of York.
- Richard III, I, i
  • No beast so fierce but knows some touch of pity.
- Richard III, I, ii
  • An honest tale speeds best being plainly told.
- Richard III, IV, iv
  • True hope is swift and flies with swallow's wings;
Kings it takes Gods, and meaner creatures kings.
- Richard III, V, ii
  • A horse! A horse! My kingdom for a horse!
- Richard III, V, iv
  • Lord, what fools these mortals be!
- A Midsummer Night's Dream
  • The course of true love never did run smooth.
- A Midsummer Night's Dream, I, i
  • Sweet mercy is nobility's true badge.
- Titus Andronicus, I, i
  • He lives in fame that died in virtue's cause.
- Titus Andronicus, I, i
  • She is a woman, therefore may be wooed;
She is a woman, therefore may be won.
- Titus Andronicus, II, I
  • If one good deed in all my life I did,
I do repent it from my very soul.
- Titus Andronicus V, iii
  • O! for a horse with wings!
- Cymbeline, III, iii
  • There is small choice in rotten apples.
- The Taming of the Shrew, I, i
  • Kiss me, Kate!
- The Taming of the Shrew, II, i
  • Kindness in women, not their beauteous looks,
Shall win my love.
- The Taming of the Shrew, IV, ii
  • They do not love that do not show their love.
- The Two Gentlemen of Verona, I, ii
  • Love is a familiar. Love is a devil. There is no evil angel but Love.
- Love Labour's Lost, I, ii
  • Our remedies oft in ourselves do lie.
- All's Well That Ends Well, I, i
  • They say miracles are past.
- All's Well That Ends Well, II, iii
  • His worst fault is that he is given to prayer. He is something peevish that way.
- The Merry Wives of Windsor, I, iv
  • O! it is excellent
To have a giant's strength, but it is tyrannous
To use it like a giant.
- Measure for Measure, II, ii
  • Virtue is bold, and goodness never fearful.
- Measure for Measure, III, i
  • What is mine is yours, and what I yours is mine.
- Measure for Measure, V, i

Christopher Marlowe

Page last modified on Thursday January 26, 2023 15:05:33 GMT-0000