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ALARMED AT THE IMPACT, CREATORS OF AI ARE NOW TALKING OF STRICT REGULATION

VALUE BASED DEMOCRATIC FUNCTIONING OF SOCIETY INCLUDING MEDIA FACING THREAT
Anjan Roy - 18-05-2023 12:33 GMT-0000
Some of the most successful practitioners and developers of “artificial Intelligence” are now calling for its regulation by the government. These creators of the strikingly advanced AI systems are underlining immediate need for global regulation.

JOB-TAKING IS ONLY A SMALL PART OF THREAT POSED BY GENERATIVE ARTIFICIAL INTELLIGENCE

CREATORS THEMSELVES WARN OF GRAVE RISKS TO HUMANITY FROM TECH MONSTERS
K Raveendran - 17-05-2023 13:01 GMT-0000
The call by ChatGPT founder Sam Altman a US Senate committee meeting for heavy regulation of the use of artificial intelligence by governments across the world to mitigate the risks from the new technology takes the current debate about generative AI to a new dimension.

WHO WARNING ON PRECIPITOUS ADOPTION OF AI IS A WAKE-UP CALL

WORLD MUST ENSURE THAT PEOPLE ARE PROPERLY PROTECTED
Dr. Gyan Pathak - 17-05-2023 12:47 GMT-0000
The WHO’s warning on precipitous adoption of AI must serve as a wake-up call for the world. These new AI-based tools require vigilance, especially in light of such rapidly expanding platforms such as ChatGPT, Bard, BERT, and many others that imitate understanding, processing, and producing human communication, World Health Organization has said, with special reference to patients.

NITA AMBANI FOUNDED CULTURAL CENTRE IS THE GREAT LANDMARK IN MUMBAI

THE AMBITIOUS PROJECT GAVE SHAPE TO HER DREAMS SINCE COLLEGE DAYS
Harihar Swarup - 17-05-2023 12:30 GMT-0000
We are at Mumbai’s newest landmark, Nita Mukesh Ambani Cultural Centre, on a Monday evening. Preparations are in full swing for award winning Broadway musical—Rodgers and Hammerstein’s The Magic of Music – which will begin playing early May. Ambani says this will be first time an international Broadway production will be staged in India, and the entire team has flown down from the US and stay almost for almost a month. Nita Ambani, who is personally involved with everything at the NMACC, has just held Muhurat Puja ahead of the show, after which she meets us. It is 8 pm on International Workers’ Day, and Ambani looks radiant in a pink sari, as if her day has begun. She is self—effacing and gracious as she warms up for a candid conversation, along with a mug of coffee.

REMEMBERING JULIAN ASSANGE ON WORLD PRESS FREEDOM DAY

ROLE OF NEWS ORGANISATIONS IS TO SPEAK TRUTH TO POWER
Prabir Purkayastha - 05-05-2023 11:35 GMT-0000
MAY 3rd is World Press Freedom Day, a reminder that the role of news organisations is to speak truth to power. Not to manufacture consent – to use Chomsky’s famous words – for the government and the ruling classes. While doing that, I want to remember two men who exemplify the need to speak the truth: Daniel Ellsberg of Pentagon Papers fame and Julian Assange of WikiLeaks. And also of Chelsea Manning, without whom we would not have the proof of what the US was doing, not only in Iraq and Afghanistan but all across the globe. In doing so, I will also deal with the changing nature of government “secrets”, what outing them means then and now, and the response of our rulers.

‘CHEVALIER’: A FILM ON A BLACK FRENCH COMPOSER’S STORY IS TOPICAL

DIRECTOR STEPHEN WILLIAMS HAS DEPICTED A GREAT HUMAN DOCUMENT
Eric A. Gordon - 05-05-2023 11:31 GMT-0000
In director Stephen Williams’s big-budget new film Chevalier, now playing in US theatres Joseph Bologne (Kelvin Harrison), the illegitimate son of an African slave and a French plantation owner on the lucrative French Caribbean island of Guadeloupe, rises to improbable heights in Parisian society as a celebrated violinist-composer and fencer. After witnessing Bologne best France’s top fencer in a celebrated match defined as a contest between racially superior France and the pollution of African and Caribbean people who have settled there, Queen Marie Antoinette (Lucy Boynton) personally anoints him the Chevalier de Saint-Georges as “a true man of France.”

SATYAJIT RAY’S BIRTH ANNIVERSARY: THREE ENCOUNTERS OF THE CLOSE KIND

THE FILM ICON POSSESSED UNUSUALLY REFINED POLITICAL SENSIBILITIES
Nitya Chakraborty - 02-05-2023 11:58 GMT-0000
The Indian filmmaking legend Satyajit Ray stepped into his 102nd year on May 2, 2023. The maestro died in 1992, at the age of only 71. He left us without finishing many of the proposed film and writing projects which he had undertaken in his last years. Bengal lost not just a great filmmaker, but also a writer of extraordinary calibre, who opened up the Bengali children and adults to a new world of adventure and science fiction in their mother tongue.

REMEMBERING THE MAESTRO SATYAJIT RAY ON HIS 102ND BIRTH ANNIVERSARY

THE WORLD VIEW THAT SHAPED THE MAKING OF ‘PATHER PANCHALI’ IN 1955
Nitya Chakraborty - 02-05-2023 11:55 GMT-0000
The legend of the Indian cinema, Satyajit Ray, has crossed two more years after his centenary celebrations began on May 2 of 2021. The last icon of what is termed as Bengal Renaissance, died at the age of only 71 on April 23, 1992. Though his last film ‘Agantuk' was released in 1991, just a year before his death, the last eight years of his life since 1984 was controlled with strict medical supervision in view of his heart disease.

HARRY BELAFONTE WAS MAINLY AN ACTIVIST WHO BECAME A GREAT ARTIST

FOR HIM, THERE WAS NOTHING MORE POWERFUL IN EARTH THAN RECORDING THE TRUTH
Ed Rampell - 27-04-2023 12:07 GMT-0000
The multi-talented, widely admired performer Harry Belafonte died Tuesday, April 25, at age 96. He was born on March 1, 1927, in New York City as Harold George Bellanfanti, Jr. His ancestry is Jamaican and Martiniquan, and his paternal grandfather had Dutch Jewish origins.

HARRY BELAFONTE WAS A MUSIC LEGEND WHO FOUGHT FOR CIVIL RIGHTS TILL HIS LAST

THE GREAT ACTOR WAS A BIG INSPIRATION TO THE STRUGGLING PEOPLE OF THE THIRD WORLD
Eileen Jones - 26-04-2023 11:38 GMT-0000
It’s a strange thing to discover that Harry Belafonte got to be a big star faster than his old friend and early rival Sydney Poitier for good roles. Poitier became so famous and remained such a respected actor that his screen eminence rose over time, whereas Belafonte walked away from top film stardom early. He couldn’t reconcile his serious political principles with what he regarded as the demeaning roles he was offered — some of which went to Poitier after Belafonte turned them down. Belafonte had nothing but scorn, for example, for what he considered the grotesque racial stereotypes of Porgy and Bess (1959), and he claimed to have rejected the script for Lilies of the Field (1963), which won Poitier the first Academy Award for Best Actor ever given to a black man.