THE ENDURING PREDICTABILITY OF THE MOSTLY APOLITICAL OSCARS
JONATHAN GLAZER’S GAZA SPEECH ECHOES VENESSA REDGRAVE’S 1978 STAND
2024-03-14 11:37
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What can you say about the Academy Awards ceremony this year that you don’t say every year, if you happen to keep watching? There’s the invariably meh hosting — by Jimmy Kimmel, in this case. There’s the intensifying boredom as it becomes clear that an epic-scale film on an important issue that seemed practically designed by committee to sweep the Oscars was sweeping the Oscars — this year, Oppenheimer. There’s a small gem of a film that gets bupkis because it is small, and maybe because it’s a comedy or something — The Holdovers this time around. There’s the startling shutout of a major filmmaker’s work — this year, Martin Scorsese’s Killers of the Flower Moon, which didn’t even score what had seemed to be its one guaranteed award, the historic Best Actress honour for Lily Gladstone, who would’ve been the first Native American ever to take home the golden statuette. There’s the botched “In Memoriam” segment honouring the recently departed, this one even more truncated and badly staged and stupidly filmed than all the ones that came before it, ending very strangely on long-held images of Tina Turner, who was a great talent but by no means a primarily cinematic one.